FUNDRAISER EDITIONS
All proceeds go towards keeping SFABF free and open to the public. SFABF fundraiser editions are only available at the San Francisco Art Book Fair.
Em Kettner
The Audition (2026)
inkjet print on toned archival paper
12 x 12 in.
Edition of 35
Printed by Lightsource SF
$150
Special thanks to the artist, François Ghebaly, Los Angeles and New York, and Rebecca Camacho Presents, San Francisco.
Em Kettner (b. 1988, Philadelphia, PA) is an artist and writer based in Richmond, CA. Her sculptures, tapestries, and drawings merge the operating theater with the actor’s theater. The miniature scale is a twist on votive objects, which traditionally served as offerings to ward off illness. In contrast, Kettner’s votives are impish and funny, and often detail the ingenuity of people with disabilities.
Recent solo exhibitions include Cyrano at Rebecca Camacho Presents (San Francisco, CA), Homebound at François Ghebaly Gallery (New York, NY), Sick Joke at Chapter NY (New York, NY), Slow Poke at François Ghebaly Gallery (Los Angeles, CA), The Eternal Worm at HARPY (Rutherford, NJ), and Play the Fool at Goldfinch (Chicago, IL). She has participated in two-person and group exhibitions at FOUNDRY (Seoul, South Korea), F2T Gallery (Milan, Italy), Pangée (Montreal, Canada), Pipeline (London, UK), Outer Space (Concord, NH), the MFA (Boston, MA), Secrist | Beach (Chicago, IL), Form & Concept (Santa Fe, NM), Winter Street Gallery (Edgartown, MA), Frieze House Seoul (Seoul, South Korea), Candice Madey (New York, NY), and Et al. Gallery (San Francisco, CA). In early 2027, she will mount solo exhibitions at both the San Francisco Museum of Modern Art (SFMOMA) and The Contemporary Austin (TCA).
Her work is in the permanent collections of the Museum of Fine Arts, Boston, MA; the Cantor Arts Center at Stanford University, Palo Alto, CA; the Ohana Center, Monterey, CA; the DePaul Art Museum and The Joan Flasch Artists’ Book Collection, both Chicago, IL. She has received the Wynn Newhouse Award, and is one of the seven fellows awarded the inaugural SHACK15 Art Prize (2025) for Bay Area Artists. In 2026, Kettner was selected as one of three recipients of the SFMOMA SECA Art Award.
Kettner’s work has been reviewed and published in Cultured Magazine, The Paris Review, Artforum, Art in America, Sculpture Magazine, CARLA, Hyperallergic, Institutional Model, KQED, and Sixty Inches From Center. In 2023, Fulcrum Arts produced her interactive digital storybook, “Doctor, Doctor," an illustrated journey through history, myth, and patient-hood.
Em Kettner earned her BFA from the University of the Arts in Philadelphia, and an MFA from the School of the Art Institute of Chicago. She is represented by François Ghebaly in Los Angeles and New York.
Maryam Yousif
Habibti in Cerulean Rosette Dress (2026)
five-color Risograph print
11 x 17 in.
Edition of 35
Printed by Tiny Splendor
$100
Special thanks to the artist and Rebecca Camacho Presents, San Francisco.
Maryam Yousif (b. 1985 Baghdad, Iraq) lives and works in San Francisco, CA. Yousif’s practice is rooted in clay sculpture and demonstrates an ongoing engagement with Mesopotamian mythologies, histories and objects alongside modernist visual vocabularies and contemporary popular culture. Her distinctive sensibility is derived from sources such as Iraqi modernism and Bay Area Funk.
Yousif received her BA at the University of Windsor, Ontario in 2008 and her MFA from the San Francisco Art Institute in 2017. Solo and two-person exhibitions include ICA San Francisco, CA (2024); Rebecca Camacho Presents, San Francisco, CA (2026, 2024); The Pit, Los Angeles / Palm Springs, CA (2026, 2023, 2021); David B. Smith, Denver, CO (2022); and Andrew Rafacz, Chicago, IL (2021); among others.
Yousif’s work has been featured in group exhibitions at the Manetti Shrem Museum of Art, University of California, Davis, CA (2024); GGLA, Los Angeles, CA (2024); Jeffrey Deitch, Los Angeles, CA (2023); Museum of Art & Design, New York, NY (2023); and Massey Klein Gallery, New York, NY (2023); among others.
She received the Fleishhacker Foundation’s Eureka Fellowship in 2024 and was a finalist for SFMOMA’s SECA award in 2022 and the Museum of Art and Design's Burke Prize in 2021.
Yousif's work is in the permanent collections of the Denver Art Museum, Denver, CO and Museum of Art and Design, New York, NY.
Sean McFarland
We Are All Connected (2025)
paper, tape, inkjet prints, watercolor, graphite, glue, small window
11 x 7 3/4 x 3/16 in.
Edition of 34
Production support by Lightsource SF
$250
Sean McFarland's photographs, sculptures, drawings, videos, and books examine records of experience, time, landscape, and spirituality. Working from a self-generated archive comprising tens of thousands of items, McFarland’s practice is a continuous revisiting of site, image, object, and experience. Materials such as silver gelatin prints, cyanotypes, drawings, rocks, desert sage dust, and glass are combined to make photographs, collage, and sculpture. The resulting works are at once a meditation on place, phenomena, what it means to be present and how we remember.
Sean earned an MFA from California College of the Arts and a BS from Humboldt State University. His solo exhibitions include the San Francisco Museum of Modern Art; Visual Studies Workshop; San Francisco Camerawork; and White Columns. Group exhibitions include the Berkeley Art Museum and Pacific Film Archive; George Eastman Museum; Aperture; Bay Area Now 6, Yerba Buena Center for the Arts; Milwaukee Museum of Art. His work is in the permanent collections at the San Francisco Museum of Modern Art; Berkeley Art Museum and Pacific Film Archive; National Gallery of Art; George Eastman Museum; City and County of San Francisco; and the Milwaukee Art Museum.
His awards include the SECA Award - SFMOMA, the Eureka Fellowship, the Baum Award for an Emerging American Photographer, and the John Gutmann Photography Fellowship.
Sean lives in San Francisco and is an Associate Professor of Art at San Francisco State University. He is represented by Casemore Gallery, San Francisco.
Sarah Hotchkiss
Lozenge Links 2 (2025)
two-color screenprint on 250gsm Coventry Rag
24 x 18 in.
Edition of 25
Printed by Poppy Press
$200
Sarah Hotchkiss is a San Francisco artist and arts writer. Recent exhibitions include solo shows at Cheymore Gallery (Tuxedo Park, NY) and Romer Young Gallery (San Francisco, CA). Her work has been included in group shows at the ICA San José; OCHI Projects, Los Angeles; Best Practice, San Diego; and Berggruen Gallery, San Francisco. Her work has been featured in the San Francisco Arts Commission’s public art program and she has attended residencies at Skowhegan, Jentel, KHN Center for the Arts and ACRE. From 2020 to 2023, she co-ran an exhibition space on a 6-by-12-foot billboard in the Inner Sunset called Premiere Jr.
2024 SFABF Heesoo Kwon Artist Edition
Top: 1. Saint Leymusoom (2024), Middle: 2. Premolt 3 - Priest (2024), Bottom: 3. Premolt 3 (2019)
Lenticular inkjet print (framed)
8x10 inches
Edition of 15 each
Printed by Lightsource SF
$60
Premolt is an ongoing project that explores the act of "queering" my female ancestors’ bodies and family histories through adjustments to the family photo archive. Inspired by the worldview of Korean shamanism, which implies that god spirits encircle prospective shamans, awaiting recognition, this visualization unveils Leymusoom and our liberated bodies, previously present in the scene yet concealed within the photographs.
Heesoo Kwon is a multidisciplinary artist from Seoul, South Korea, currently living and working in San Francisco, California. Selected exhibitions include Berkeley Art Museum Pacific Film Archive, Berkeley, CA; Institute of Contemporary Art San Jose, San Jose, CA; San Francisco Arts Commission Gallery, San Francisco, CA; Micki Meng Gallery, San Francisco, CA; Gray Area, San Francisco, CA; A.I.R. Gallery, New York, NY; 47 Canal, New York, NY; Blinkers Art & Project Space, Winnipeg, Canada; West Den Haag, Netherlands; Alternative Space Loop, Seoul, South Korea and WMA Space, Hong Kong. She was recently awarded the 2025 Eureka Fellowship from the Fleishhacker Foundation and the 2022 50 Arts Commission for Media Arts from the Hewlett Foundation. Kwon earned a Master of Fine Arts at the University of California, Berkeley, and holds the position of Assistant Professor in the Animation department at California College of the Arts.
Top: 1. Saint Leymusoom (2024), Middle: 2. Premolt 3 - Priest (2024), Bottom: 3. Premolt 3 (2019)
Lenticular inkjet print (framed)
8x10 inches
Edition of 15 each
Printed by Lightsource SF
$60
Premolt is an ongoing project that explores the act of "queering" my female ancestors’ bodies and family histories through adjustments to the family photo archive. Inspired by the worldview of Korean shamanism, which implies that god spirits encircle prospective shamans, awaiting recognition, this visualization unveils Leymusoom and our liberated bodies, previously present in the scene yet concealed within the photographs.
Heesoo Kwon is a multidisciplinary artist from Seoul, South Korea, currently living and working in San Francisco, California. Selected exhibitions include Berkeley Art Museum Pacific Film Archive, Berkeley, CA; Institute of Contemporary Art San Jose, San Jose, CA; San Francisco Arts Commission Gallery, San Francisco, CA; Micki Meng Gallery, San Francisco, CA; Gray Area, San Francisco, CA; A.I.R. Gallery, New York, NY; 47 Canal, New York, NY; Blinkers Art & Project Space, Winnipeg, Canada; West Den Haag, Netherlands; Alternative Space Loop, Seoul, South Korea and WMA Space, Hong Kong. She was recently awarded the 2025 Eureka Fellowship from the Fleishhacker Foundation and the 2022 50 Arts Commission for Media Arts from the Hewlett Foundation. Kwon earned a Master of Fine Arts at the University of California, Berkeley, and holds the position of Assistant Professor in the Animation department at California College of the Arts.
2024 SFABF Craig Calderwood Artist Edition
Terminal-Fun
3 color Risograph print
11x14 inches
Signed and numbered
Edition of 150
Printed by Colpa Press
$30
Craig Calderwood was born in 1987 in Bakersville, CA and raised in California’s San Joaquin Valley. From a young age, Calderwood found drawing to be an outlet and tool for self-expression, which later led to their interest in pursuing art. After taking classes at Fresno City College, they relocated to San Francisco, CA, in 2011, where they currently live and work.
Calderwood’s multivalent practice ranges from drawings and paintings to sculptures, often featuring intricate patterns and utilizing “lowbrow” materials. Their work is heavily autobiographical, reflecting on their childhood experiences and identity as a queer and trans individual. To address gender fluidity, as well as ideas about desire, biodiversity, and otherness, they portray androgynous figures and body parts that are in some way unfamiliar. This is amplified by the extensive and highly detailed patterning that conceals any visible secondary sex characteristics, creating what Calderwood describes as “genderlessness.” Calderwood’s personal vernacular of symbols and patterns derives from the private languages used by queer and trans communities for decades, and is informed by historical research, personal narratives and pop-cultural moments. Materiality is also a significant aspect of Calderwood’s work both conceptually and autobiographically: their father upholstered furniture professionally and the importance of this personal connection to textiles is evident. When starting paintings – which Calderwood also refers to as tapestries – they begin with a patchwork of upholstery fabrics, the tactile surface becoming an element of the work akin to the patterning. Textiles are also incorporated into their sculptures along with fabric paint, polymer clay, and pipe cleaners in a commentary on the societal tendency to view these materials as craft supplies. By subverting the intended use of their materials, Calderwood blurs the line between the binary of art and craft, much as they blur distinctions of sex and identity.
Calderwood has exhibited their work internationally and has been the recipient of numerous awards and residencies. Calderwood was the Eureka Fellowship Grantee in 2022, Art+Process+Ideas (API) artist in residence at Mills College, Oakland in 2020 and 2022, the SFMOMA SECA award Finalist in 2019, and is currently Artist-in-Residence at Recology, San Francisco. Calderwood was awarded three Individual Artist Commission grants from the San Francisco Arts Commission and in 2021 was selected to design and create artwork for the three-story atrium of the Harvey Milk Terminal at the San Francisco International Airport, set to be unveiled in 2024.
Terminal-Fun
3 color Risograph print
11x14 inches
Signed and numbered
Edition of 150
Printed by Colpa Press
$30
Craig Calderwood was born in 1987 in Bakersville, CA and raised in California’s San Joaquin Valley. From a young age, Calderwood found drawing to be an outlet and tool for self-expression, which later led to their interest in pursuing art. After taking classes at Fresno City College, they relocated to San Francisco, CA, in 2011, where they currently live and work.
Calderwood’s multivalent practice ranges from drawings and paintings to sculptures, often featuring intricate patterns and utilizing “lowbrow” materials. Their work is heavily autobiographical, reflecting on their childhood experiences and identity as a queer and trans individual. To address gender fluidity, as well as ideas about desire, biodiversity, and otherness, they portray androgynous figures and body parts that are in some way unfamiliar. This is amplified by the extensive and highly detailed patterning that conceals any visible secondary sex characteristics, creating what Calderwood describes as “genderlessness.” Calderwood’s personal vernacular of symbols and patterns derives from the private languages used by queer and trans communities for decades, and is informed by historical research, personal narratives and pop-cultural moments. Materiality is also a significant aspect of Calderwood’s work both conceptually and autobiographically: their father upholstered furniture professionally and the importance of this personal connection to textiles is evident. When starting paintings – which Calderwood also refers to as tapestries – they begin with a patchwork of upholstery fabrics, the tactile surface becoming an element of the work akin to the patterning. Textiles are also incorporated into their sculptures along with fabric paint, polymer clay, and pipe cleaners in a commentary on the societal tendency to view these materials as craft supplies. By subverting the intended use of their materials, Calderwood blurs the line between the binary of art and craft, much as they blur distinctions of sex and identity.
Calderwood has exhibited their work internationally and has been the recipient of numerous awards and residencies. Calderwood was the Eureka Fellowship Grantee in 2022, Art+Process+Ideas (API) artist in residence at Mills College, Oakland in 2020 and 2022, the SFMOMA SECA award Finalist in 2019, and is currently Artist-in-Residence at Recology, San Francisco. Calderwood was awarded three Individual Artist Commission grants from the San Francisco Arts Commission and in 2021 was selected to design and create artwork for the three-story atrium of the Harvey Milk Terminal at the San Francisco International Airport, set to be unveiled in 2024.
2024 SFABF Logo Pin
Enamel Cloisenne Pin
1 x 1 inches
Designed by David Kasprzak
$10
Enamel Cloisenne Pin
1 x 1 inches
Designed by David Kasprzak
$10
2023 SFABF Rose D’Amato Artist Edition
Elwell Trucking (Caroll Ave.)
UV Print on Aluminum Dibond
16 x 20 inches
Edition of 20
Printed by Lightsource SF
$200
Elwell Trucking (Caroll Ave.)
UV Print on Aluminum Dibond
16 x 20 inches
Edition of 20
Printed by Lightsource SF
$200
2023 SFABF Marbie Artist Edition
4 color Screen Print
100% Canvas Tote Bag
Edition of 125
Courtesy of the artist and Hashimoto Contemporary
Printed by FREE GOLD WATCH
$40
4 color Screen Print
100% Canvas Tote Bag
Edition of 125
Courtesy of the artist and Hashimoto Contemporary
Printed by FREE GOLD WATCH
$40
2023 SFABF Logo Pin
Enamel Cloisenne Pin
1 x 1 inches
Designed by David Kasprzak
$10
Enamel Cloisenne Pin
1 x 1 inches
Designed by David Kasprzak
$10
2023 SFABF Logo Tote
1 color Screen Print
100% Canvas Tote Bag
Designed by David Kasprzak
Printed by FREE GOLD WATCH
SOLD OUT
1 color Screen Print
100% Canvas Tote Bag
Designed by David Kasprzak
Printed by FREE GOLD WATCH
SOLD OUT
2022 SFABF Jeffrey Sincich Artist Edition
Books (Yellow)
11x14 inches
Screen Print on archival paper
Edition of 100
Signed & dated
Printed by Nat Swope
$50
Books (Yellow)
11x14 inches
Screen Print on archival paper
Edition of 100
Signed & dated
Printed by Nat Swope
$50
2022 SFABF Jeffrey Sincich Artist Edition
Books (Pink)
11x14 inches
Screen Print on archival paper (PINK colorway)
Edition of 100
Signed & dated
Printed by Nat Swope
$50
2022 SFABF Alicia McCarthy Artist Edition
4 color Screen Print
100% Canvas Tote Bag
Edition of 150
Printed by CULK
$40
4 color Screen Print
100% Canvas Tote Bag
Edition of 150
Printed by CULK
$40
2019 SFABF Sadie Barnette Artist Edition
Change Everything
Enamel Cloisenne Pin
2 x 1 inches
Edition of 200
Courtesy of the artist
$10
Change Everything
Enamel Cloisenne Pin
2 x 1 inches
Edition of 200
Courtesy of the artist
$10
2016 SFABF Alicia McCarthy Artist Edition
2 color Risograph Print
11 x 17 inches
Edition of 500
Signed and numbered
Printed by Colpa Press
$30
2018 SFABF Will Rogan Artist Edition
Mediums 2 spread
Giclée Print
17 x 11 inches
Edition of 24
Printed by Lightsource SF
$100
Mediums 2 spread
Giclée Print
17 x 11 inches
Edition of 24
Printed by Lightsource SF
$100
2017 SFABF KOAK Artist Edtion
Tangled in Milk
2 color Risograph Print
11 x 14 inches
Edition of 250
Printed by Colpa Press
SOLD OUT
Tangled in Milk
2 color Risograph Print
11 x 14 inches
Edition of 250
Printed by Colpa Press
SOLD OUT
2017 SFABF Chris Johanson & Lonnie Holley Artist Edition
Paulson Fontaine Press
At Looking
24pp, 7 x 4 1/2 inches Risograph Booklet
Edition of 400
Printed by Tiny Splendor
$25